The pen may well be mightier than the sword, but what is mightier than the pen? For Rei Kawakubo it is the magic marker, the highlighter, the colored pencil, crayon and paint brush. Kawakubo needed to fight a battle for fall and picked shiny coloration and pattern as her weapon.
Punchy could not get started to describe this assortment, with its harlequin diamond patterns and checkerboard checks, plaids, leopard spots, clownish stripes, clashing sweet colors and searing shades of pink, purple and blue. The designer layered and patchworked them with abandon.
In significantly less specialist fingers, the collection would have been a head-spinning mess, but Kawakubo reworked the chaos into one thing refined, considered provoking and classy.
In usual model, designs moved in waves, crisscrossing the runway, strutting their stuff and then creating way for the future group. They were being coiffed like Cleopatra, with heads lined in bleach blond, black or two-tone bunches of braids shaped into pharaonic bobs.
Certainly, hair played significant in this present, with lengthy wigs cascading from models’ necks and down their chests, including an air of primitive chic.
They wore patchwork jackets designed from a combine of leopard print, diamond designs, checks, and slices of shiny patent over plaid, kilt-like skirts and wide, baggy shorts. There were Mondrian-type knits, with their geometric blocks of colour and deconstructed personalized pieces, this kind of as a common pinstripe jacket hacked off at the waist and stitched jointly with red tartan. A newborn blue a person was slashed open up at the elbows to reveal a candy pink lining.
It was quite a battle, with Kawakubo and her coloured military triumphant.